• Blogs,  Guest Contributors

    A Theology of Nakedness In Art

    Written by Marcia Smith   Curved and tense looms the colossal marble statue of Michelangelo’s David over the public square of Florence’s seat of civic government. Originally commissioned for the rooftop of the Florence Cathedral, he stands just blocks away from it in a wide open space, fully disrobed in a classic Renaissance celebration of the beauty and splendor of pure youth. In allusion to the veiled travesty taking place, his foremother stands outside the Florence Cathedral, clutching an animal skin at her waist in shame, while his promised seed and divine descendent overlooks the interior, resplendent and half-robed on the judgment seat. No explanation is given by the church…